Chords in the Key of G# Minor
Every diatonic triad and seventh chord in G# minor, with the progressions built from them. Free. No sign-up.
Key facts
Diatonic triads
Seventh chords
Stack one more scale tone on each triad and you get the seventh chords — same key, more color.
| Degree | Chord | Quality | Notes |
|---|---|---|---|
| i7 | G#m7 | minor 7th | G# · B · D# · F# |
| iiø7 | A#m7b5 | half-diminished | A# · C# · E · G# |
| IIImaj7 | Bmaj7 | major 7th | B · D# · F# · A# |
| iv7 | C#m7 | minor 7th | C# · E · G# · B |
| v7 | D#m7 | minor 7th | D# · F# · A# · C# |
| VImaj7 | Emaj7 | major 7th | E · G# · B · D# |
| VII7 | F#7 | dominant 7th | F# · A# · C# · E |
Common progressions in G# minor
i–VI–III–VII
G#m – E – B – F#
The minor pop loop — same four chords as the major axis, started from the minor side.
i–iv–v
G#m – C#m – D#m
The minor blues shape — all three chords stay minor in the natural scale.
i–VII–VI
G#m – F# – E
The descending rock lament, one whole step at a time.
i–iv–VII–III
G#m – C#m – F# – B
A circle-of-fifths descent — each root falls a fifth to the next.
How the key of G# minor works
G# Minor carries five sharps (F#, C#, G#, D# and A#). The scale runs G#–A#–B–C#–D#–E–F#, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.
B Major is the relative major: identical key signature, identical seven chords. Treat B — the III chord here — as home base and you are in B major without changing a note.
The parallel major, Ab Major (listed here in its enharmonic spelling), keeps the same root but raises the third, sixth, and seventh — its signature shifts to four flats (Bb, Eb, Ab and Db). Moving a section from minor to parallel major is one of the oldest brightness tricks in songwriting.
Playing G# minor on guitar
In G# minor, E is an open chord you can play in first position. G#m, B, C#m, D#m and F# need a barre shape or a capo. The diminished A#dim is usually played as a small three-string shape rather than a full chord.
A capo is the shortcut. With one, the i–VI–III–VII progression (G#m – E – B – F#) sounds in G# minor while you finger open shapes:
Capo 4 · play it as E minor
Em – C – G – D
4 of 4 shapes are open chords.
Capo 2 · play it as F# minor
F#m – D – A – E
3 of 4 shapes are open chords.
Capo 9 · play it as B minor
Bm – G – D – A
3 of 4 shapes are open chords.
Where G# minor sits on the neck
The root, G#, is fret 4 on the low E string and fret 11 on the A string, the two places most minor barre shapes and scale positions in G# minor are built from.
Three open strings are in the key: low E, B and high E. Watch the open A (fret 1 gives A#), the open D (fret 1 gives D#) and the open G (fret 1 gives G#).
One note separates G# minor from each neighbour on the circle of fifths. Raise E to E# and you are in D# minor; lower A# to A and you are in C# minor. Those are the two keys a song in G# minor most often modulates to.
Keep practicing
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