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Chords in the Key of C Minor

Every diatonic triad and seventh chord in C minor, with the progressions built from them. Free. No sign-up.

Key facts

Key signature
three flats (Bb, Eb and Ab)
Scale notes
C · D · Eb · F · G · Ab · Bb
Relative major
Eb Major
Parallel major
C Major

Diatonic triads

The seven diatonic triads in C Minor
DegreeChordQualityNotes
iCmminorC · Eb · G
ii°DdimdiminishedD · F · Ab
IIIEbmajorEb · G · Bb
ivFmminorF · Ab · C
vGmminorG · Bb · D
VIAbmajorAb · C · Eb
VIIBbmajorBb · D · F

Seventh chords

Stack one more scale tone on each triad and you get the seventh chords — same key, more color.

The seven diatonic seventh chords in C Minor
DegreeChordQualityNotes
i7Cm7minor 7thC · Eb · G · Bb
iiø7Dm7b5half-diminishedD · F · Ab · C
IIImaj7Ebmaj7major 7thEb · G · Bb · D
iv7Fm7minor 7thF · Ab · C · Eb
v7Gm7minor 7thG · Bb · D · F
VImaj7Abmaj7major 7thAb · C · Eb · G
VII7Bb7dominant 7thBb · D · F · Ab

Common progressions in C minor

  • i–VI–III–VII

    Cm – Ab – Eb – Bb

    The minor pop loop — same four chords as the major axis, started from the minor side.

  • i–iv–v

    Cm – Fm – Gm

    The minor blues shape — all three chords stay minor in the natural scale.

  • i–VII–VI

    Cm – Bb – Ab

    The descending rock lament, one whole step at a time.

  • i–iv–VII–III

    Cm – Fm – Bb – Eb

    A circle-of-fifths descent — each root falls a fifth to the next.

How the key of C minor works

C Minor carries three flats (Bb, Eb and Ab). The scale runs C–D–Eb–F–G–Ab–Bb, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.

Eb Major is the relative major: identical key signature, identical seven chords. Treat Eb — the III chord here — as home base and you are in Eb major without changing a note.

The parallel major, C Major, keeps the same root but raises the third, sixth, and seventh — its signature shifts to no sharps or flats. Moving a section from minor to parallel major is one of the oldest brightness tricks in songwriting.

Playing C minor on guitar

None of the chords in C minor is a standard open chord: Cm, Eb, Fm, Gm, Ab and Bb all need barre shapes, which is why most guitarists reach for a capo in this key. The diminished Ddim is usually played as a small three-string shape rather than a full chord.

A capo is the shortcut. With one, the i–VI–III–VII progression (Cm – Ab – Eb – Bb) sounds in C minor while you finger open shapes:

  • Capo 8 · play it as E minor

    Em – C – G – D

    4 of 4 shapes are open chords.

  • Capo 1 · play it as B minor

    Bm – G – D – A

    3 of 4 shapes are open chords.

  • Capo 3 · play it as A minor

    Am – F – C – G

    3 of 4 shapes are open chords.

Work out a capo for any song's chords

Where C minor sits on the neck

The root, C, is fret 8 on the low E string and fret 3 on the A string, the two places most minor barre shapes and scale positions in C minor are built from.

Two open strings are in the key: D and G. Watch the open low E (fret 1 gives F), the open A (fret 1 gives Bb), the open B (fret 1 gives C) and the open high E (fret 1 gives F).

The open G (the fifth) string makes a drone you can let ring under riffs and melodies in this key.

One note separates C minor from each neighbour on the circle of fifths. Raise Ab to A and you are in G minor; lower D to Db and you are in F minor. Those are the two keys a song in C minor most often modulates to.

Keep practicing

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