Chords in the Key of F Minor
Every diatonic triad and seventh chord in F minor, with the progressions built from them. Free. No sign-up.
Key facts
Diatonic triads
Seventh chords
Stack one more scale tone on each triad and you get the seventh chords — same key, more color.
| Degree | Chord | Quality | Notes |
|---|---|---|---|
| i7 | Fm7 | minor 7th | F · Ab · C · Eb |
| iiø7 | Gm7b5 | half-diminished | G · Bb · Db · F |
| IIImaj7 | Abmaj7 | major 7th | Ab · C · Eb · G |
| iv7 | Bbm7 | minor 7th | Bb · Db · F · Ab |
| v7 | Cm7 | minor 7th | C · Eb · G · Bb |
| VImaj7 | Dbmaj7 | major 7th | Db · F · Ab · C |
| VII7 | Eb7 | dominant 7th | Eb · G · Bb · Db |
Common progressions in F minor
i–VI–III–VII
Fm – Db – Ab – Eb
The minor pop loop — same four chords as the major axis, started from the minor side.
i–iv–v
Fm – Bbm – Cm
The minor blues shape — all three chords stay minor in the natural scale.
i–VII–VI
Fm – Eb – Db
The descending rock lament, one whole step at a time.
i–iv–VII–III
Fm – Bbm – Eb – Ab
A circle-of-fifths descent — each root falls a fifth to the next.
How the key of F minor works
F Minor carries four flats (Bb, Eb, Ab and Db). The scale runs F–G–Ab–Bb–C–Db–Eb, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.
Ab Major is the relative major: identical key signature, identical seven chords. Treat Ab — the III chord here — as home base and you are in Ab major without changing a note.
The parallel major, F Major, keeps the same root but raises the third, sixth, and seventh — its signature shifts to one flat (Bb). Moving a section from minor to parallel major is one of the oldest brightness tricks in songwriting.
Playing F minor on guitar
None of the chords in F minor is a standard open chord: Fm, Ab, Bbm, Cm, Db and Eb all need barre shapes, which is why most guitarists reach for a capo in this key. The diminished Gdim is usually played as a small three-string shape rather than a full chord.
A capo is the shortcut. With one, the i–VI–III–VII progression (Fm – Db – Ab – Eb) sounds in F minor while you finger open shapes:
Capo 1 · play it as E minor
Em – C – G – D
4 of 4 shapes are open chords.
Capo 6 · play it as B minor
Bm – G – D – A
3 of 4 shapes are open chords.
Capo 8 · play it as A minor
Am – F – C – G
3 of 4 shapes are open chords.
Where F minor sits on the neck
The root, F, is fret 1 on the low E string and fret 8 on the A string, the two places most minor barre shapes and scale positions in F minor are built from.
Only the open G string is in the key. Watch the open low E (fret 1 gives F), the open A (fret 1 gives Bb), the open D (fret 1 gives Eb), the open B (fret 1 gives C) and the open high E (fret 1 gives F).
One note separates F minor from each neighbour on the circle of fifths. Raise Db to D and you are in C minor; lower G to Gb and you are in Bb minor. Those are the two keys a song in F minor most often modulates to.
Songs in F minor
From the song library, these recordings sound in F minor:
- Smells Like Teen Spirit, Nirvana
Keep practicing
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