Chords in the Key of E Major
Every diatonic triad and seventh chord in E major, with the progressions built from them. Free. No sign-up.
Key facts
Diatonic triads
Seventh chords
Stack one more scale tone on each triad and you get the seventh chords — same key, more color.
| Degree | Chord | Quality | Notes |
|---|---|---|---|
| Imaj7 | Emaj7 | major 7th | E · G# · B · D# |
| ii7 | F#m7 | minor 7th | F# · A · C# · E |
| iii7 | G#m7 | minor 7th | G# · B · D# · F# |
| IVmaj7 | Amaj7 | major 7th | A · C# · E · G# |
| V7 | B7 | dominant 7th | B · D# · F# · A |
| vi7 | C#m7 | minor 7th | C# · E · G# · B |
| viiø7 | D#m7b5 | half-diminished | D# · F# · A · C# |
Common progressions in E major
I–V–vi–IV
E – B – C#m – A
The four-chord pop loop — a huge share of modern radio runs on it.
I–IV–V
E – A – B
The three-chord workhorse behind blues, folk, and early rock and roll.
ii–V–I
F#m – B – E
The jazz cadence — the strongest pull back home in the key.
I–vi–IV–V
E – C#m – A – B
The '50s doo-wop turnaround, still everywhere in ballads.
How the key of E major works
E Major carries four sharps (F#, C#, G# and D#). The scale runs E–F#–G#–A–B–C#–D#, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.
C# Minor is the relative minor: identical key signature, identical seven chords. A song that treats C#m — the vi chord here — as home base is in C# minor, even though its chord inventory matches this page exactly.
The parallel minor, E Minor, keeps the same root but flattens the third, sixth, and seventh — its signature shifts to one sharp (F#). Borrowing chords across that line is where a lot of songwriting color comes from.
Playing E major on guitar
In E major, E and A are open chords you can play in first position. F#m, G#m, B and C#m need a barre shape or a capo. The diminished D#dim is usually played as a small three-string shape rather than a full chord.
A capo is the shortcut. With one, the I–V–vi–IV progression (E – B – C#m – A) sounds in E major while you finger open shapes:
Capo 9 · play it as G major
G – D – Em – C
4 of 4 shapes are open chords.
Capo 2 · play it as D major
D – A – Bm – G
3 of 4 shapes are open chords.
Capo 4 · play it as C major
C – G – Am – F
3 of 4 shapes are open chords.
Where E major sits on the neck
The root, E, is the open low E string and fret 7 on the A string, the two places most major barre shapes and scale positions in E major are built from.
Four open strings are in the key: low E, A, B and high E. Watch the open D (fret 1 gives D#) and the open G (fret 1 gives G#).
The open low E (the root), B (the fifth) and high E (the root) strings make a drone you can let ring under riffs and melodies in this key.
One note separates E major from each neighbour on the circle of fifths. Raise A to A# and you are in B major; lower D# to D and you are in A major. Those are the two keys a song in E major most often modulates to.
Songs in E major
From the song library, these recordings sound in E major:
- Black, Pearl Jam
- Sweet Home Chicago, Traditional (Robert Johnson)
Keep practicing
Knowing the chords in E major is the map; the coach watches you play them and tells you what to fix. Start coaching →