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Chords in the Key of E Minor

Every diatonic triad and seventh chord in E minor, with the progressions built from them. Free. No sign-up.

Key facts

Key signature
one sharp (F#)
Scale notes
E · F# · G · A · B · C · D
Relative major
G Major
Parallel major
E Major

Diatonic triads

The seven diatonic triads in E Minor
DegreeChordQualityNotes
iEmminorE · G · B
ii°F#dimdiminishedF# · A · C
IIIGmajorG · B · D
ivAmminorA · C · E
vBmminorB · D · F#
VICmajorC · E · G
VIIDmajorD · F# · A

Seventh chords

Stack one more scale tone on each triad and you get the seventh chords — same key, more color.

The seven diatonic seventh chords in E Minor
DegreeChordQualityNotes
i7Em7minor 7thE · G · B · D
iiø7F#m7b5half-diminishedF# · A · C · E
IIImaj7Gmaj7major 7thG · B · D · F#
iv7Am7minor 7thA · C · E · G
v7Bm7minor 7thB · D · F# · A
VImaj7Cmaj7major 7thC · E · G · B
VII7D7dominant 7thD · F# · A · C

Common progressions in E minor

  • i–VI–III–VII

    Em – C – G – D

    The minor pop loop — same four chords as the major axis, started from the minor side.

  • i–iv–v

    Em – Am – Bm

    The minor blues shape — all three chords stay minor in the natural scale.

  • i–VII–VI

    Em – D – C

    The descending rock lament, one whole step at a time.

  • i–iv–VII–III

    Em – Am – D – G

    A circle-of-fifths descent — each root falls a fifth to the next.

How the key of E minor works

E Minor carries one sharp (F#). The scale runs E–F#–G–A–B–C–D, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.

G Major is the relative major: identical key signature, identical seven chords. Treat G — the III chord here — as home base and you are in G major without changing a note.

The parallel major, E Major, keeps the same root but raises the third, sixth, and seventh — its signature shifts to four sharps (F#, C#, G# and D#). Moving a section from minor to parallel major is one of the oldest brightness tricks in songwriting.

Keep practicing

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