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Chords in the Key of B Minor

Every diatonic triad and seventh chord in B minor, with the progressions built from them. Free. No sign-up.

Key facts

Key signature
two sharps (F# and C#)
Scale notes
B · C# · D · E · F# · G · A
Relative major
D Major
Parallel major
B Major

Diatonic triads

The seven diatonic triads in B Minor
DegreeChordQualityNotes
iBmminorB · D · F#
ii°C#dimdiminishedC# · E · G
IIIDmajorD · F# · A
ivEmminorE · G · B
vF#mminorF# · A · C#
VIGmajorG · B · D
VIIAmajorA · C# · E

Seventh chords

Stack one more scale tone on each triad and you get the seventh chords — same key, more color.

The seven diatonic seventh chords in B Minor
DegreeChordQualityNotes
i7Bm7minor 7thB · D · F# · A
iiø7C#m7b5half-diminishedC# · E · G · B
IIImaj7Dmaj7major 7thD · F# · A · C#
iv7Em7minor 7thE · G · B · D
v7F#m7minor 7thF# · A · C# · E
VImaj7Gmaj7major 7thG · B · D · F#
VII7A7dominant 7thA · C# · E · G

Common progressions in B minor

  • i–VI–III–VII

    Bm – G – D – A

    The minor pop loop — same four chords as the major axis, started from the minor side.

  • i–iv–v

    Bm – Em – F#m

    The minor blues shape — all three chords stay minor in the natural scale.

  • i–VII–VI

    Bm – A – G

    The descending rock lament, one whole step at a time.

  • i–iv–VII–III

    Bm – Em – A – D

    A circle-of-fifths descent — each root falls a fifth to the next.

How the key of B minor works

B Minor carries two sharps (F# and C#). The scale runs B–C#–D–E–F#–G–A, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.

D Major is the relative major: identical key signature, identical seven chords. Treat D — the III chord here — as home base and you are in D major without changing a note.

The parallel major, B Major, keeps the same root but raises the third, sixth, and seventh — its signature shifts to five sharps (F#, C#, G#, D# and A#). Moving a section from minor to parallel major is one of the oldest brightness tricks in songwriting.

Playing B minor on guitar

In B minor, D, Em, G and A are open chords you can play in first position. Bm and F#m need a barre shape or a capo. The diminished C#dim is usually played as a small three-string shape rather than a full chord.

You rarely need a capo here, but one moves the same progression onto different open shapes and a different voicing. The i–VI–III–VII progression (Bm – G – D – A) with a capo:

  • Capo 7 · play it as E minor

    Em – C – G – D

    4 of 4 shapes are open chords.

  • Capo 2 · play it as A minor

    Am – F – C – G

    3 of 4 shapes are open chords.

  • Capo 5 · play it as F# minor

    F#m – D – A – E

    3 of 4 shapes are open chords.

Work out a capo for any song's chords

Where B minor sits on the neck

The root, B, is fret 7 on the low E string and fret 2 on the A string, the two places most minor barre shapes and scale positions in B minor are built from.

All six open strings are notes of B minor, so any of them can ring against a fretted line without clashing.

The open B (the root) string makes a drone you can let ring under riffs and melodies in this key.

One note separates B minor from each neighbour on the circle of fifths. Raise G to G# and you are in F# minor; lower C# to C and you are in E minor. Those are the two keys a song in B minor most often modulates to.

Songs in B minor

From the song library, these recordings sound in B minor:

  • Hotel California, Eagles (capo 7)

Keep practicing

Knowing the chords in B minor is the map; the coach watches you play them and tells you what to fix. Start coaching →