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Chords in the Key of D Major

Every diatonic triad and seventh chord in D major, with the progressions built from them. Free. No sign-up.

Key facts

Key signature
two sharps (F# and C#)
Scale notes
D · E · F# · G · A · B · C#
Relative minor
B Minor
Parallel minor
D Minor

Diatonic triads

The seven diatonic triads in D Major
DegreeChordQualityNotes
IDmajorD · F# · A
iiEmminorE · G · B
iiiF#mminorF# · A · C#
IVGmajorG · B · D
VAmajorA · C# · E
viBmminorB · D · F#
vii°C#dimdiminishedC# · E · G

Seventh chords

Stack one more scale tone on each triad and you get the seventh chords — same key, more color.

The seven diatonic seventh chords in D Major
DegreeChordQualityNotes
Imaj7Dmaj7major 7thD · F# · A · C#
ii7Em7minor 7thE · G · B · D
iii7F#m7minor 7thF# · A · C# · E
IVmaj7Gmaj7major 7thG · B · D · F#
V7A7dominant 7thA · C# · E · G
vi7Bm7minor 7thB · D · F# · A
viiø7C#m7b5half-diminishedC# · E · G · B

Common progressions in D major

  • I–V–vi–IV

    D – A – Bm – G

    The four-chord pop loop — a huge share of modern radio runs on it.

  • I–IV–V

    D – G – A

    The three-chord workhorse behind blues, folk, and early rock and roll.

  • ii–V–I

    Em – A – D

    The jazz cadence — the strongest pull back home in the key.

  • I–vi–IV–V

    D – Bm – G – A

    The '50s doo-wop turnaround, still everywhere in ballads.

How the key of D major works

D Major carries two sharps (F# and C#). The scale runs D–E–F#–G–A–B–C#, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.

B Minor is the relative minor: identical key signature, identical seven chords. A song that treats Bm — the vi chord here — as home base is in B minor, even though its chord inventory matches this page exactly.

The parallel minor, D Minor, keeps the same root but flattens the third, sixth, and seventh — its signature shifts to one flat (Bb). Borrowing chords across that line is where a lot of songwriting color comes from.

Playing D major on guitar

In D major, D, Em, G and A are open chords you can play in first position. F#m and Bm need a barre shape or a capo. The diminished C#dim is usually played as a small three-string shape rather than a full chord.

You rarely need a capo here, but one moves the same progression onto different open shapes and a different voicing. The I–V–vi–IV progression (D – A – Bm – G) with a capo:

  • Capo 7 · play it as G major

    G – D – Em – C

    4 of 4 shapes are open chords.

  • Capo 2 · play it as C major

    C – G – Am – F

    3 of 4 shapes are open chords.

  • Capo 5 · play it as A major

    A – E – F#m – D

    3 of 4 shapes are open chords.

Work out a capo for any song's chords

Where D major sits on the neck

The root, D, is fret 10 on the low E string and fret 5 on the A string, the two places most major barre shapes and scale positions in D major are built from.

All six open strings are notes of D major, so any of them can ring against a fretted line without clashing.

The open A (the fifth) and D (the root) strings make a drone you can let ring under riffs and melodies in this key.

One note separates D major from each neighbour on the circle of fifths. Raise G to G# and you are in A major; lower C# to C and you are in G major. Those are the two keys a song in D major most often modulates to.

Songs in D major

From the song library, these recordings sound in D major:

  • Sweet Home Alabama, Lynyrd Skynyrd
  • Hey There Delilah, Plain White T's
  • Twist and Shout, The Beatles
  • Fast Car, Tracy Chapman (capo 2)
  • Blowin' in the Wind, Bob Dylan

Keep practicing

Knowing the chords in D major is the map; the coach watches you play them and tells you what to fix. Start coaching →