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Chords in the Key of D Minor

Every diatonic triad and seventh chord in D minor, with the progressions built from them. Free. No sign-up.

Key facts

Key signature
one flat (Bb)
Scale notes
D · E · F · G · A · Bb · C
Relative major
F Major
Parallel major
D Major

Diatonic triads

The seven diatonic triads in D Minor
DegreeChordQualityNotes
iDmminorD · F · A
ii°EdimdiminishedE · G · Bb
IIIFmajorF · A · C
ivGmminorG · Bb · D
vAmminorA · C · E
VIBbmajorBb · D · F
VIICmajorC · E · G

Seventh chords

Stack one more scale tone on each triad and you get the seventh chords — same key, more color.

The seven diatonic seventh chords in D Minor
DegreeChordQualityNotes
i7Dm7minor 7thD · F · A · C
iiø7Em7b5half-diminishedE · G · Bb · D
IIImaj7Fmaj7major 7thF · A · C · E
iv7Gm7minor 7thG · Bb · D · F
v7Am7minor 7thA · C · E · G
VImaj7Bbmaj7major 7thBb · D · F · A
VII7C7dominant 7thC · E · G · Bb

Common progressions in D minor

  • i–VI–III–VII

    Dm – Bb – F – C

    The minor pop loop — same four chords as the major axis, started from the minor side.

  • i–iv–v

    Dm – Gm – Am

    The minor blues shape — all three chords stay minor in the natural scale.

  • i–VII–VI

    Dm – C – Bb

    The descending rock lament, one whole step at a time.

  • i–iv–VII–III

    Dm – Gm – C – F

    A circle-of-fifths descent — each root falls a fifth to the next.

How the key of D minor works

D Minor carries one flat (Bb). The scale runs D–E–F–G–A–Bb–C, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.

F Major is the relative major: identical key signature, identical seven chords. Treat F — the III chord here — as home base and you are in F major without changing a note.

The parallel major, D Major, keeps the same root but raises the third, sixth, and seventh — its signature shifts to two sharps (F# and C#). Moving a section from minor to parallel major is one of the oldest brightness tricks in songwriting.

Playing D minor on guitar

In D minor, Dm, Am and C are open chords you can play in first position. F, Gm and Bb need a barre shape or a capo. The diminished Edim is usually played as a small three-string shape rather than a full chord.

A capo is the shortcut. With one, the i–VI–III–VII progression (Dm – Bb – F – C) sounds in D minor while you finger open shapes:

  • Capo 10 · play it as E minor

    Em – C – G – D

    4 of 4 shapes are open chords.

  • Capo 3 · play it as B minor

    Bm – G – D – A

    3 of 4 shapes are open chords.

  • Capo 5 · play it as A minor

    Am – F – C – G

    3 of 4 shapes are open chords.

Work out a capo for any song's chords

Where D minor sits on the neck

The root, D, is fret 10 on the low E string and fret 5 on the A string, the two places most minor barre shapes and scale positions in D minor are built from.

Five open strings are in the key: low E, A, D, G and high E. Watch the open B (fret 1 gives C).

The open A (the fifth) and D (the root) strings make a drone you can let ring under riffs and melodies in this key.

One note separates D minor from each neighbour on the circle of fifths. Raise Bb to B and you are in A minor; lower E to Eb and you are in G minor. Those are the two keys a song in D minor most often modulates to.

Keep practicing

Knowing the chords in D minor is the map; the coach watches you play them and tells you what to fix. Start coaching →