Chords in the Key of F Major
Every diatonic triad and seventh chord in F major, with the progressions built from them. Free. No sign-up.
Key facts
Diatonic triads
Seventh chords
Stack one more scale tone on each triad and you get the seventh chords — same key, more color.
Common progressions in F major
I–V–vi–IV
F – C – Dm – Bb
The four-chord pop loop — a huge share of modern radio runs on it.
I–IV–V
F – Bb – C
The three-chord workhorse behind blues, folk, and early rock and roll.
ii–V–I
Gm – C – F
The jazz cadence — the strongest pull back home in the key.
I–vi–IV–V
F – Dm – Bb – C
The '50s doo-wop turnaround, still everywhere in ballads.
How the key of F major works
F Major carries one flat (Bb). The scale runs F–G–A–Bb–C–D–E, and stacking every other note of that scale builds the seven chords above — every chord tone comes from those same seven notes.
D Minor is the relative minor: identical key signature, identical seven chords. A song that treats Dm — the vi chord here — as home base is in D minor, even though its chord inventory matches this page exactly.
The parallel minor, F Minor, keeps the same root but flattens the third, sixth, and seventh — its signature shifts to four flats (Bb, Eb, Ab and Db). Borrowing chords across that line is where a lot of songwriting color comes from.
Keep practicing
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